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Kriston Banfield:
Journey, Healing and Transformation
Viewing room. 17 days left.
Viewing room. 17 days left.
Viewing room. 17 days left.
Kriston Banfield: Journey, Healing and Transformation
Kriston Banfield’s work is concerned with ideas of community and belonging, often referencing the process of journey, healing and transformation that one undergoes whilst constantly trying to define oneself.
Kriston Banfield’s work is concerned with ideas of community and belonging, often referencing the process of journey, healing and transformation that one undergoes whilst constantly trying to define oneself. Strongly inspired by Trinidad and Tobago’s affinity for narration and much of its cultural histories being based in West African storytelling, my paintings utilizes new interpretations of myth and elements of religion and spirituality to engage how notions of social and economic disparities within a Caribbean context directly police the human experience; more so one’s availability to dignity, opportunity and power and how these needs can cause questions of the integrity of the connections that exists between each other and the land. My sculptural work, through its use of found objects and Caribbean architectural vernacular offer narratives into conflict, and the fragility of the sense of safety that protects our ad-hoc systems.
Kriston Banfield is a multidisciplinary artist, living and working on the twin island of Trinidad and Tobago. His work is concerned with ideas of community and belonging, often referencing the process of finding one’s sense of place. By drawing heavily on elements of myth and spirituality he seeks to examine lived experiences and to question how social and economic disparities directly police the human experience, more so one’s availability to opportunity, power and stratification. His work takes the form of painting, drawing, sculpture and installation.
To date he has participated in a number of self produced exhibitions as part of an artists’ collective in his home territory and has had his work included in the 5th Ghetto Biennale in Port au Prince, Haiti and in the upcoming 19th Asian Biennale 2022.
2018
Glass, pearl vases, coconuts, gel wax, polyurethane, wood, acrylic
126 × 60 × 60 cm / 49,6 × 23,6 × 23,6 in.
Unique work
2017
Acrylic on bedsheet
190,5 × 152,4 cm / 75 × 60 in.
2015
Acrylic on canvas
61 × 61 cm / 24 × 24 in.
2016
Oil on canvas
106,6 × 93,9 cm / 42 × 37 in.
2010
Acrylic on canvas
132 × 178 cm / 51,9 × 70 in.
2018
Oil on canvas
76,2 × 61 cm / 30 × 24 in.
2018
Oil on canvas
152,5 × 122 cm / 60 × 48 in.
2018
Pinewood, color dye, tung oil, synthetic fabric, rope, plastic
197 × 103 × 70 cm / 77,5 × 40,5 × 27,5 in.
Unique
2018
Oil on linen
243,5 × 162,5 cm / 96 × 64 in.
2018
Oil on linen
243,5 × 162,5 cm / 96 × 64 in.
2018
glass, brass, bamboo, coconut, ceramic, gel wax, acrylic, wood
168 × 33 × 33 cm / 66,1 × 13 × 13 in.
Unique work
2018
Oil on linen
243,5 × 162,5 cm / 96 × 64 in.
2018
Oil on canvas
152,5 × 122 cm / 60 × 48 in.
2018
Oil on canvas
122 × 152.5 cm / 48 × 60 in.
2018
Oil on canvas
76,2 × 91,4 cm / 30 × 36 in.
©Chloe Wise
2018
Oil on canvas
152,5 × 183 cm / 60 × 72 in.
2018
Oil on canvas
122 × 152,5 cm / 48 × 60 in.
©Chloe Wise
2018
Oil on canvas
122 × 152.5 cm / 48 × 60 in.
2017-2018
Oil on canvas
44 x 30 cm. / 17 ¼ x 11 ¾ in.
MG-1703